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The Skriker, by Caryl Churchill
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Premiered at the Royal National Theatre, this extraordinary new play by one of Britain's leading playwrights combines English folk tales with modern urban life. In terms of its language alone, it is as exciting and challenging on the page as on the stage. The play follows the Skriker, 'a shapeshifter and death portent, ancient and damaged, ' in its search for love and revenge as it pursues two young women to London, changing its shape at every new encounter. Along with the Skriker come Rawheadandbloodybones, the Kelpie, the Green Lady, Black Dog and more, till the whole country is swarming with enticing and angry creatures that have burst from the underworld.
- Sales Rank: #2041603 in Books
- Published on: 1994-02-17
- Original language: English
- Number of items: 1
- Dimensions: 7.72" h x .20" w x 5.04" l, .13 pounds
- Binding: Paperback
- 80 pages
From Booklist
British playwright Churchill has always shown an unusual knack for combining striking theatrical experimentation and remarkably detailed re-creation of everyday life. Rarely, however, has she woven the two strands of her writing as tightly together as in this play in which one character, the Skriker, speaks long passages of Joycean (specifically, Finnegans Wake-ish) prose ("Heard her boast beast a roast beef eater, daughter could spin span spick and spun the lowest form of wheat straw into gold"), while the two others, Liz and Josie, both teenage girls, speak a very contemporary brand of English. This startling juxtaposition allows Churchill simultaneously to explore contemporary attitudes about the homeless and insane and tell a variation of the folktale about the malevolent, magical being that tries to trick a young woman out of her firstborn. The resulting play is rich, beautiful, and moving, though it may frustrate those who like their theater plain and simple. It's also a delight, whether on page or stage, for those who like to puzzle through dense, difficult texts. Jack Helbig
Review
"It certainly loosened my grasp on reality." —Marissa Oberlander, Chicago Reader
“The Skriker is certainly the most unusual play I’ve seen in recent memory. The text, itself, is the pinnacle of what it means to be out-of-the-box… the proud weirdness, discombobulation, paranoia, transformation, and sinister magic of this play come together to build something unquestionably singular and blatantly eclectic.” – Johnny Oleksinski, Podunk critic
“This portrait of a London haunted by unhappy gremlins bears roughly the same relationship to urban living that Psycho does to taking a shower, turning the familiar into a hall of terrors. Afterward, you'll be even more intent than usual on avoiding the eyes of people on the streets, wondering what demons lurk inside. You'll even think twice before sitting on your sofa. Be afraid; be very afraid. (Or to borrow from the play's phrase-fracturing title character, an ailing, shape-shifting fairy, "Whatever you do don't open the do don't open the door.") Ms. Churchill, the author of "Fen" and "Top Girls," has delivered her most unsettling indictment yet of an incurably diseased world. While it is also her most densely cerebral, difficult work, its enveloping chill isn't just intellectual.” – Ben Brantley, New York Times
From the Back Cover
Premiered at the Royal National Theatre, this extraordinary new play by one of Britain's leading playwrights combines English folk tales with modern urban life. In terms of its language alone, it is as exciting and challenging on the page as on the stage. The play follows the Skriker, 'a shapeshifter and death portent, ancient and damaged, ' in its search for love and revenge as it pursues two young women to London, changing its shape at every new encounter. Along with the Skriker come Rawheadandbloodybones, the Kelpie, the Green Lady, Black Dog and more, till the whole country is swarming with enticing and angry creatures that have burst from the underworld.
Most helpful customer reviews
3 of 3 people found the following review helpful.
Churchill's Finest Work
By Amazon Customer
I believe The Skriker is Churchill's finest play, and I've read them all and seen a number of them. She has woven many of her recurring themes and motifs in this play to dazzling effect: magic and myth, time and timelessness, gender and womanhood, mothering, and the power of the theatre to transform. The play is witty and somber, reassuring and threatening, and brilliantly unpredictable throughout.
0 of 0 people found the following review helpful.
Good read
By Jessica Davison
I think any theatre major needs to read this play. It's like modern Jacobean theatre, dark and twisty but highly poetic.
0 of 1 people found the following review helpful.
not what I thought it would be
By brent rouleau
the play is a very weird piece which is fine but there are certain challenges to mounting it such as language and locations
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