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A history of black Americans who settled in Paris, France, from 1900 to the present.
- Sales Rank: #755543 in Books
- Brand: Brand: CreateSpace Independent Publishing Platform
- Published on: 2012-06-11
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .93" w x 6.00" l, 1.21 pounds
- Binding: Paperback
- 412 pages
- Used Book in Good Condition
Amazon.com Review
Significant numbers of black Americans went to France for the first time in World War I as part of the U.S. armed forces and discovered a country where they were free of the strictures of racism. This comprehensive look at black Americans' historical affection for Paris in the 20th century covers literary figures like Richard Wright, entertainers like Josephine Baker and jazz musicians like Sidney Bechet and Kenny Clarke, as well as black academics, scientists and businessmen who found new lives in Paris. This is an important, and welcome book.
From Publishers Weekly
Stovall's revelatory chronicle reclaims an important yet neglected chapter of cultural history, delineating a cohesive community of black American expatriate writers, artists, musicians and intellectuals in Paris from 1914 to the present. During WWI African American soldiers, targets of discrimination on the front and back home, were welcomed cordially by ordinary French citizens. Attracted by the myth of a color-blind France, Harlem Renaissance writers Langston Hughes, Claude McKay and Countee Cullen flocked to Paris; Josephine Baker conquered the stage with her sensational performances; jazz musicians Miles Davis, Charlie Parker and Bill Coleman lived in and drew inspiration from the City of Light. In the 1930s African American expatriate writers and artists in Paris helped launch the Negritude movement. Postwar Paris became a magnet to writers like Richard Wright, James Baldwin and detective novelist Chester Himes, who saw themselves as political exiles from a racist U.S. They fit into a vibrant Left Bank community that maintained close ties with Camus, Cocteau, Sartre, de Beauvoir. The 1960s and '70s saw an influx of African American emigre scientists, photographers, restaurant owners, taxi drivers, diversifying the community that today faces the rise of overt French racism. Stovall, a history professor at UC Santa Cruz, begins with an account of his own transformative experience as an African American in Paris in the early 1980s. His engrossing survey makes a compelling case that these expatriates pioneered a new type of cosmopolitan black community, one that celebrated black identity and helped them achieve a level of success denied to them back home, while they explored different modes of African-based culture from around the world. Photos not seen by PW.
Copyright 1996 Reed Business Information, Inc.
From Library Journal
Appleby's (coeditor, Being Right, Indiana Univ., 1995) collection of essays, produced under the sponsorship of the Fundamentalist Project of the American Academy of Arts and Sciences, focuses on religious orthodox movements in the Middle East. Some of the selections from scholars exploring well-known and less-popular Islamic movements include Daniel Brumberg's "Khomeini's Legacy: Islamic Rule and Islamic Social Justice" and Ziad Abu-Amr's "Shaykh Ahmad Yasin and the Origins of Hamas." Gideon Aran's "The Father, the Son, and the Holy Land" covers the Jewish component of Gush Emunim (the Bloc of the Faithful), while Samuel C. Heilman's "Guides of the Faithful" discusses the current extreme right wing and the assassination of Prime Minister Rabin. Yaakov Ariel rounds out the Christian element with "A Christian Fundamentalist Vision of the Middle East." A major conclusion is that religious fundamentalism has become an increasingly important geopolitical factor. This is a fine contribution to the comparative study of religion and necessary to understanding the relationship of religion to politics in the region.-Sanford R. Silverburg, Catawba Coll., Salisbury, N.C. Stovall, Tyler. Paris Noir: African Americans in the City of Light. Houghton. Dec. 1996. c.347p. photogs. bibliog. index. LC 96-24566. ISBN 0-395-68399-8. $24.95. In this significant social and cultural ory, Stovall (The Rise of the Paris Red Belt, Univ. of California, 1990) takes on jazz, literature, and interracial relations in Montmartre and Montparnasse from 1918 to the present. Highlighting a detailed and balanced account of African Americans in Paris are the triumphs and tenacity of Josephine Baker; the careers and failed friendship of Richard Wright and James Baldwin; and the lives of Sidney Bechet and other jazz greats. Such personal accounts stand out from a more general story of how African Americans found respect, affection, and equality accorded to them by French people, who often preferred them to white Americans or African blacks. Stovall explores in this context French tastes for exoticism and interracial relationships. Stovall's work is substantive enough for scholars and vivid enough for the general reader. An essential purchase for libraries.
--R. James Tobin, Univ. of Wisconsin Lib., Milwaukee
Copyright 1996 Reed Business Information, Inc.
Most helpful customer reviews
6 of 7 people found the following review helpful.
History of the African American Experience In Paris
By Zora
I needed this book for studying abroad program on the african american experience in Paris. Each chapter describes several writers, musicians, artists of African American descent and their experience in Paris. This book differs from another book From Harlem to Paris, since each chapter is organized according to an overall theme or general trend of a time. Chapters are as follows, freedom overseas: african american soldiers fight the great war, bringing the jazz age to paris, depression and war: pars in the 1930's, life on the left bank, the golden age of african american literature in paris, new perspectives on race, and african americans in paris today. We find out about the different literary writers like James Baldwin, Chester Himes, and Richard Wright for example. And artists like Josephine Baker and Bricktop, We find that certain parts of Paris like Montmarte and the Latin Quarter serve as places for african americans to gather either in clubs, restaurants and live. We understand the fact that during world war one and two the african americans sought exile in Paris as an escape from American racism, however this trend changes after post war. This is a great foundation reading for anyone who wants to explore Paris in the footsteps of African Americans before them. This book is also easier to read than Michel Fabre's From Harlem to Paris.
9 of 11 people found the following review helpful.
WOW!
By S. Cofield
I recently checked out this book from my University library for a term paper on the 1920s. It was so informative; I could not put it down! I then decided I had to purchase this book for my library. I highly recommend this interesting and informative book!
14 of 19 people found the following review helpful.
Accurate, Historical, Obsessively Factual.
By PermaStudent
Stovall faithfully captures the beginnings of the African American community in Paris, tracking music, artistic, and literary communities separately. He is attentive to detail in the extreme and vibrantly captures the excitement of Montmartre. However, little is done to bring these observations together or forward any argument. Stovall does more to present fact that persuade. _Paris Noire_ is better as a reference than a 'read' and for someone interested in comparing the time period with the Harlem Renaissance, this book does little to track what events were happening outside of Paris. Nevertheless, the amount of research in this book is amazing. The picture inset features beautiful photos of Tanner and Josephine Baker, cartoons of the time, and is a very welcome addition to the book. Stovall's work is an opening into a relatively uncharted area of African American history but it is not the final word. _Paris Noire_ opens a dialogue that I hope is continued in future books on the subject.
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